House of Vetttii reopens

Pompeii reopened the House of the Vettii after 20 years

Culture News

Pompeii Archaeological Park reopened its ‘Sistine Chapel’, the House of the Vettii, after a 20-year restoration of the famed frescos. The frescos include erotic art and twelve mythological scenes plus a sumptuous garden.

Named after its owners, two successful freedmen, the Domus houses the following immortal depictions of tales from Greek myth: The Punishment of Ixion, Daedalus and Pasiphae, Dionysus Discovering Ariadne, the Death of Pantheus, the Punishment of Dirce, the Infant Herakles Strangling the Snakes, the Wrestling Match between Pan and Eros, Cyparissus, Achilles on Skyros, Herakles and Auge, Ariadne Abandoned by Theseus, and Hero and Leander.

“It’s a symbolic house, a Sistine Chapel for Pompeii,” the archaeological park’s director, Gabriel Zuchtriegel, told ANSA at the inauguration with Culture Minister Gennaro Sangiuliano.

Blend of nature and culture

With its mythological scenes, erotic pictures, blending of nature and culture to enrapture the sense and the intellect, the House of the Vettii offers a kaleidoscope of colours and images.

The garden, crowded with statues, fountains, sweet-scented bushes, and water features, is one of the highlights of any visit.

Closed to the public for almost two decades, the restoration first began in 2002.

“It has been one of the most challenging and complex building sites of the last few decades,” says Zuchtriegel.

Sangiuliano enthused about the reopening of the glorious treasure trove saying, “Pompeii is an artistic and historical ‘unicum’, and its shows why Italy is such a cultural superpower”.

The minister paid what he called “my most lavish and fulsome compliments” to Zuchtriegel and to the culture ministry’s head of museums, Massimo Osanna, who supervised much of the restoration work.

Related article: Middle-class house unearthed in Pompeii

Its careful excavation has preserved almost all of the wall frescos, which were completed following the earthquake of 62 AD, in the manner art historians term the Pompeiian Fourth Style.

One of its other world-famous highlights is a portrayal of Priapus with his over-sized penis, a symbol of good luck, placed upon a pair of scales.

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